His basketball card belongs in the Louvre, posted up between the Mona Lisa and “The Wedding Feast at Cana.”
You could hang Chauncey Billups’ resume in the Salle des Etats, elbows jostling with “La Bella Nani,” a work of hoops art on par with “Titian’s Man with a Glove.”
But Paris?
Read the rest of this story on TheKnow.DenverPost.com.
